![]() It’s an episode full of imagination, bursting with creativity, and all of the emotions one feels during a middle school fight. It’s an episode that is seen through the eyes of Caleb ( Joe Wenger), a kid likely on the Autism spectrum. It reminded me of the fights of my childhood, and it’s sure to do the same for many. It’s clever beyond compare, following the superhero fights and antics of all the teenagers. The final episode of the season, “Super Mouth”, is the biggest winner though. There are sexual awakenings, and for a show about middle schoolers, it’s great television. These episodes can stand alone, harping on harassment and allowing for the growings-up of several characters that have been marginalized until this season. They exist in a bubble, highlighting the losing of one’s virginity, the importance of jazz music, and lots of Demi Moore and Michael Douglas references. The episodes titled “Duke” and “Disclosure the Movie: The Musical” are showy pieces of episodic television. The girls protest, band together, and fight for equality, and it’s (mostly) a joy to watch. It starts the season on a high note, giving these characters a win in a world that feels dominated by the male perspectives. The kickoff episode, “Girls Are Angry Too”, is an opportunity for the female characters in the show to fight middle-school injustice: a sexist dress code. Series regulars like Nick Kroll, John Mulaney, Maya Rudolph, Jordan Peele, Fred Armisen, and Jason Mantzoukas are back to their fantastic selves as well.Ī few episodes stood above the rest. ![]() Some of them have less than ten lines, yet their willingness to sign onto this project is telling. The above is an absolute star-studded lineup of guest stars. Adderall, Wanda Sykes as the Ghost of Harriet Tubman, Retta as Duke’s mother, Carol Kane as the Menopause Banshee, David Cross as Skip Glouberman, Thandie Newton as Mona, and Ali Wong (more on her later) as Ali. This season also features the following actors in various roles: Martin Short as Gordie, Rob Riggle as Sgt. Time is reserved for them to also grow and subsequently struggle. It’s not a completely boys-only story, and the depth of its female leads, Jessi ( Jessi Klein) and Missy ( Jenny Slate), is considerable. They allow many of the female characters to stand up for the injustices that have been pressed upon them for 2+ seasons. ![]() The Netflix show gives more time to Matthew ( Andrew Rannelis), a gay student who finds a first love in the seemingly only other gay kid in town. The effort from the creators to adequately stay with the changing popular culture is admirable. This show covers serious ground in the new season, hitting topics from incest to phone addiction, orgasms to adderall, sexual harassment to dress codes. Like 7th grade, Season 3 had highs, lows, and everything in between. The key to the success of Big Mouth is its revolving door of comedians, writers, and dramatic actors willing to join the show. The season is mostly strong, the animation continues to be offbeat, and the voice acting somehow keeps improving. Their characters continue to grow up, and Season 3 is dedicated to 7th grade, a tumultuous time for most of us. As Big Mouth and its leads grow older, both continue to mature, venture into new aspects of life, and make mistakes that are regrettable and require sincere apologies. Nick Kroll, Andrew Goldberg, and the other creators have formed their own world of teenagers, monsters, and more hormones than some viewers can handle. It constantly swings for the fences, bound to miss the mark while wading through middle school dramatics. It’s for adults, yet (sometimes) suitable for children. Big Mouth is a show that has thrived in the grey areas of television.
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